Category Archives: Poetics/ Politics of everyday life

Fermenting Time (2026)

Fermenting Time was a solo exhibition hosted by the Municipal Gallery of Kalithea in summer 2026. Fermenting time sought to expose my artistic methodology of staying with the materials and exploring their being/ becoming in time instead of using them to create an artwork. The approach echoes Jane Bennett’s non-human agency and post-humanist discourses about the vibrancy of the matter.

The mixed-media show featured

drawings from the series ‘Balancing dynamicity’ http://www.elenivisualart.eu/immersion-synergic-systems/balancing-dynamicity-2020-2/

video performance series ‘Choreographing encounters’  https://vimeo.com/572035380?fl=pl&fe=shs

and a live performance that took place twice during the exhibition.

Those are pics from the performance Fermenting Time using everyday objects and cooking utensiles as props:

 

At full throttle/ Με γκάζια στο τακούνι (2026)

This is a solo action leading to a playfull participatory performance that wishes to be critical towards stereotypes of femininity imposed by social structures of power upon woment.

Pic from the performance At full throttle at Smoke Factory, Athens
Pic from the performance At full throttle at Smoke Factory, Athens
Pic from the performance At full throttle at Smoke Factory, Athens

The Soup/ Η Σουπα (2025)

Pic showing the arrangement of space before the live event @Eleni Kolliopoulou
Pic 1 from Live performance The Soup at Fournos lab, Athens @Fotini Papadoudi
Pic 2 @ Fotini Papadoudi

‘The soup‘ is an experimental mixed-media contemporary ritual reflecting on current geopolitics via the lens of Achille Mbembe’s Necropolitics. Shifting between trivial/ everyday needs to philosophical and political contemplation of human rights’ history.

Performed and directed by Eleni Kolliopoulou
Co-performer: Stratos Papadoudis
Editing assistantship: Angeliki Pantazi
Technical support: Apostolis Tsatsakos

Audio visual documentation: Serafeim Arkomanis

‘The soup’ was partially funded by PSi Constellate 2025 and hosted by Fournos lab/ Manthos Santorineos
Onsite performance: 3rd June at 9pm, Fournos lab, Athens/

Online presentation 3rd July at 2pm, PSi Constellate 2025

 

LUNA PARK: WHAT IS DEMOCRACY? (2021-2023)

Pics from LUNA PARK: What is democracy? participatory artwork performed in Athens Art gallery (2021), Dublin IMMA (2022) and Malta TTT (2023)

This participatory artwork/ performative experiment wishes to inquire on the embodiment of democracy. My approach is based on concepts of post dance and choreopolitics (Lepecki). The artistic research methodology aims to the deepening of the concept and structure of Arquitecturas Biologicas (Lygia Clark). LUNA PARK: what is democracy? is a research project that challenges the perception and embodiment of the in-betweeness (Watsuji Tetsuro) here seen as the ‘tension’ among the individual and the social self. Ultimately, ‘LUNA PARK: what is democracy?’ would like to offer an alternative on current forms of biopolitics as an alternative means of resistance to current politics of time and space.

Rock, Paper, Scissors (2024)

Video still from documentation of ‘Rock, Paper, Scissors’ participatory artwork, AVARTS Festival (2024) Corfu
Feedback session after ‘Rock, Paper, Scissors’ participatory artwork, at NSU 2024, hosted by study circle Artistic Research, DK

A workshop-based presentation which is triggered by the current politics between Armenia and Azerbaijan, Israel and Palestine using Nagorno Karabach and Gaza current situation as a symbol for year-lasting conflicts between states. The proposal suggests ethnic cleansing strategies must be added to the list of the Anthropocene and seeks creative solutions making use of performative art as a safe platform to test out and embody new ideas.

In ‘Rock, paper, scissors’, I am borrowing the aesthetics of Japanese gardens in what concerns the fleeting and changing perception of the architecture (space/ time) to explore alternative ways of existing in a more constructive and harmonious ways within the framework of the workshop and beyond. Participants will be invited to create a living system which (as with all living systems) is fragile, subject to change and impossible to fully control. This workshop acts as a social experiment of our ability to listen to each other and to create (or not) harmonious coexistence in space.

Αιμοπετάλια/ Platelets (2024)

Αιμοπετάλια/ Platelets (2024) Pic 1

Concept, performance, video, narration: Eleni Kolliopoulou
performance, narration: Stratos Papadoudis
video and audio editing: Thanasis Epitideios
With the support of H.F.R.I.

This work is the third artistic research project and part of my current post doctoral research in Butoh-fu inspired dramaturgy.

avarts.ionio.gr/en/department/people/665-kolliopoulou/

Watch video documentation: https://vimeo.com/956385594

Αιμοπετάλια/ Platelets (2024) Pic 2

Αιμοπετάλια is a mixed-media performance unfolding around the bodily sensations, feelings, thoughts of war prisoners informed by Butoh-fu ‘Walking as a pure measure’. The visual performance run along the recording of Italo Calvino’s ‘Waiting for death in a hotel’. This work is dedicated to all victims of injustices.

Αιμοπετάλια/ Platelets (2024) Pic 3

Inhabiting time: Story of a popcorn (2023)

Inhabiting time: Story of a pop corn was performed at Polytechno, Corfu in December 2023. It was a poetic exploration of the time flow through transformation/ metamorphosis of materials, sounds and light.

https://vimeo.com/manage/videos/898058868

Duration: 20 mins approx.

Concept, solo performance, video: Eleni Kolliopoulou

Group performance/ sound-scape: Elektra Gatou, Akis Diamantis, Nassi Hatzimoisiadou, Stratos Papadoudis, Marcella Panteli, Zografenia Peclari, Zaira Delli.

Video Editor/ Technician: Thanassis Epitidios

Sound technician: Nikos Moustakas

Music: Pythoprakta (1955) by Iannis Xenakis The mixed-media performance is funded by H.F.R.I.. It is part of my post doctoral research hosted by Ionian University, AVARTS.

Blind time action

Blind time action/ Ιππόλυση flyer
Bilind time action/ Performing with the unknown still from live performance at MAC, Belfast October 2021
Bilind time action/ Performing with the unknown still from live performance at MAC, Belfast October 2021
Bilind time action/ Performing with the unknown still from live performance at MAC, Belfast October 2021

 

Blind time action/ Ιππόλυση is  a durational performance with unknown objects while being blind folded. The performer explores the relationship between her bodily presence with the space and the objects in her proximity while being blindfolded. The objects could be everyday objects and/or raw material that are donated to her by the audience.

Blind time action/ Ιππόλυση is a response to the work of Robert Morris ‘Blind time drawings’ (1990). Morris has been drawing while being blindfolded.  The aim is to explore a. is the obstruction of our vision enabling our presence in a deeper psychophysical sense? b. how is my time perception informed and transformed when I perform blindfolded and how is my audience’s time perception influenced by my temporal experience? c. in what extent our presence is controlled by the gaze of the others? d. what is revealed when I perform while being blindfolded?

Bilind time action/ Ιππόλυση still from live performance at 1927 Artspace, June 2021

 

Re-discovering silence (2016)

Re-discovering silence/ kitchen project 1
Re-discovering silence/ kitchen project 2
Re-discovering silence/ kitchen project 3
Re-discovering silence/ kitchen project 4

Re-discovering silence (2016) is a series of black and white ‘homemade’ photographs around the topic of stillness and intimacy in our households. Poetics/ politics of everyday life deals with the hidden poetics and aesthetic qualities of everyday often disregarded objects that surround us.

This work would like to offer a chance of retrospection, reflection and action: it calls for the activation and deepening of our inner gaze. Re-discovering silence is fascinated by interiors of houses bare of human life with an intense and dramatic lighting. I reckon that the current ecological crisis calls for our attention to the fact that human beings do not stand at the center of a passive universe: humans are not superior than other species.